1
Molten and chiselled bronze. Italian Gothic art from the 14th-15th century. H 13cm
2
Molten and gilt bronze. Italy, probably Late-Romanic art from the 18th century. H 10cm
3
Gilt copper. Late-Gothic art from the early 15th century. 21.5x13.5cm
4
An evocative cross in rock crystal and silver-plated metal on a round base. H 45cm
5
A white marble high-relief depicting the Trinity. Northern Italian sculptor active between Lombardia and Veneto in the 16th century. 64x28x94cm
6
A Madonna with child in polychrome Istrian stone. Sculptor from Veneto or Dalmatia. 37.5x27.5cm
9
A statue of Saint Catherine of Alexandria in polychrome and gilt wood. Renaissance sculptor from the first half of the 16th century. H 140cm
10
Saint Martha with the dragon in carved alabaster. Spanish or Southern-French sculptor. 40x24cm
11
Annunciation and Jesus among the Doctors. A pair of carved bas-reliefs in polychrome and gilt wood from the Spanish Renaissance art of the 16th century. 136x76x12cm
13
A Madonna (Saint Barbara?) in polychrome and gilded wood. Basque atelier from the 17th century. 87cm
14
A sculpture of Saint Paul in polychrome and gilt wood, in the classic Spanish Baroque style. H 87cm
15
Three sleeping putti - an allegory of sleep. White marble, Paragon stone and yellow marble. Baroques sculptor active in Rome in the mid 17th century. 87x71cm
16
A white marble group depicting two putti playing. Baroque Italian art from the 17th century (Stefano Maderno? 1576-1636). 62x22x39cm
17
White marble, Baroque art from the 17th century, circle of Juste Le Court (1627-1679). H 54cm
18
A loricated bust in terracotta on a turned bronze base (non-coeval). Perhaps a model for a larger marble or bronze piece. From the circle of Alessandro Algardi (Bologna 1598 - Rome 1654). H 31cm
19
A terracotta bust of St. Raymond Nonnatus, a Spanish clergyman. This is the initial model for the marble sculpture by Iacopo Antonio Ponsonelli (Carrara 1654 - Genoa 1735). H 25cm
21
This elegant model, with the initials G.M. carved on the back, is reasonably attributable to the rich production of terracotta sculptures and models by the great Bolognese Baroque sculptor Giuseppe Maria Mazza. H 25.5cm
22
A grieving figure in polychrome terracotta. Baroque art from the 17th century, Alto Veneto region or Southern Germany. H 52cm
23
A terracotta Nereid with gold highlights. French or Flemish sculptor from the 17th century. H 23cm
24
A terracotta bust depicting Mars. Neoclassical sculptor from Italy or France. H 36cm
25
A terracotta sculpture of a beggar and a girl, typical example of the popular and grotesque genre of the German and Austrian style between the 16th and the 19th century. H 39cm
27
A group of terracotta models of Saint Mark, Saint Luke, Saint Matthew and Saint John. Signed by Alfonso Balzico (Cava dei tirreni 1825-Roma 1901) and among his first Neapolitan works. H 28-29.5cm
28
A terracotta model for a larger piece depicting the death of Saint Joseph surrounded by Jesus, Mary and the Angel. In Neoclassical sculpting style. 24x15x23cm
29
An ivory Corpus Christi by Giovanni Antonio Gualtiero. H 14cm
30
Molten, chiselled and gilt bronze. Florentine Baroque art from the 17th century. H 27.5cm
31
Molten, chiselled and gilt bronze on a marble base (non-coeval). H 26cm and 20.5cm
32
Molten, chiseled and gilt bronze. Marble base (non-coeval). Italian founder from the 18th century. H 20.5cm
33
Molten, chiselled and gilt bronze on a marble base (non-coeval). H 20cm
34
A Saint Matthew the Evangelist in molten and chiselled bronze on a marble base (non-coeval). Baroque artist in Rome (?), 17th-18th century. H 23cm, with base 28cm
35
Molten, chiselled and patinated bronze on a grey marble base. 21x10x19cm, base H 11cm
36
A round panel in polychrome painted glass. The upper part depicts the apparition of Christ to Saint Francis, the lower part shows an inscription in Gothic characters dated 1676.
37
A polychrome glass pane with rustic scenes and an Arquebusier with lady. Inscription and crest in the lower part, dated 1615.
38
cm 36x27. Coloured marbles depicting Saint Francis receiving the stigmata, within a gilt oval frame. Italian art, Florence, 17th-18th century
39
A pair of torch-bearing angels standing on clouds, in polychrome wood. Genovese Baroque art from the 17th-18th century
40
Carved wood. Baroque Italian art (Sicily?), 17th century. 50x45x135cm
41
A polychrome papier-mâché Corpus Christi on a wooden cross. Baroque art from Southern Italy (Naples?), 18th century. 66x116cm
42
An elegant composition in precious materials: ivory, silver, coral and wood. 72x36cm
43
cm 46×26. La croce da meditazzione, nata per devozione privata, corrisponde ai modi stilistici ispirati al barocco settecentesco
44
A portrait of Carl IX in ivory bas-relief within an ebonised wood guilloché frame. 18.5x12cm
45
h cm 10. A set of four ivory sculptures depicting Saint John the Apostle, Saint James the Great, Saint Andrew Apostle and Saint Thomas Apostle
47
A pair of elaborate ivory candleholders, finely carved in floral, naturalistic and human motives. France, Dieppe (?), 19th century. H 28cm, diameter 15cm
49
Bone or warthog tooth sculpture from the Portuguese colonies in India. H 16cm
50
A carved ivory Salvator Mundi on a moulded and gilt wood base. Art from the 18th-19th century. H 12cm, 17cm with base
51
A marble group depicting the Virgin Mary and Beato Antonio Botta. A Baroque Ligurian sculptor active in the 17th-18th century. H 83cm
52
A refined holy water fount in carved alabaster meant for domestic devotion. Created in the common ways of the Italian Barocchetto. On the back is a carving with the letters P.S., possibly the initials of the unidentified sculptor. 25x27cm
53
Winter, a marble bust of an old man with a beard and a hood. Attributed to Giovanni Maria Benzoni (Songavazzo 1809 - Roma 1873).
54
A white marble allegory of summer depicting a bare-chested female carrying wheat. By a sculptor active in Liguria in the 17th century, attributed to Tommaso Garvo Allio (1620-1667) and his circle. H 100cm
56
A bucolic figurine in molten, chiselled and gilt bronze. Italian Neoclassical artist. H 22cm
57
A gilt bronze Cupid on a coloured marble base. Neoclassical French founder. H 23cm
58
A curious sculpture, realistically moulded in organic matter to resemble the rhinoceros's skin. 13x7cm
60
A rectangular frame in carved and stained fruitwood with moulded profiles and decorated reserves. From the atelier of Piedmontese ebonist Giuseppe Maria Bonzanico (Asti 1745 - Torino 1820)